Lanterns are a big part of the mid-autumn celebrations (picture by David Emrich for Unsplash).
Today, my Google Doodle honours the Mid-Autumn Festival celebrated throughout parts of East Asia, which is also known as the Moon Festival (or Tết Trung Thu, here in Vietnam).
Traditionally, it was the celebration and feast to bless autumn’s harvest. (It’s still way too hot to feel like autumn in my books, but apparently that’s the season we’re in!) Today, the Mid-Autumn Moon Festival the most significant one after the Vietnamese New Year, and it takes place when the moon’s the brightest in the year.
The build-up to today, the official day of the Moon Fest, has been thrilling, with the sounds of drums and cymbals going at night as troupes of dancers rehearse their Lion Dances. The dance is believed to drive out bad luck and bring good fortune. Toy shops are festooned with pretty star-shaped lanterns and fluffy dragon, unicorn and lion heads.
Apparently, “the Mid-autumn festival activities were cast on the shell of Ngoc Lu bronze drums. The Vietnamese bronze drums were used as the significant symbols for power and wealth throughout many generations of the ancient Viet tribes dating back to the Bronze Age in Southeast Asia”.
The festival is known as the children’s festival as farm workers would reconnect with their little ones in the middle of the long harvest season. Ever since, it has been a time for family reunions and delighting kids with things like new clothes, colourful lantern marches, and lion and dragon dances.
It’s been great being a teacher, as I’ve gotten closer to celebrations than I would’ve if I’d come as a solo woman traveller or digital nomad. We had a Lion Dance crew come perform for my class of 6-year-olds last week, and just this morning I was woken with a BLAST when dancers and drummers literally used our front doorstep as the stage for performing for the kindergarten opposite our house.
Our landlady observes all the Vietnamese Buddhist rituals, coming to clean and pray twice a month on the moon’s auspicious days. As she swept this morning, she told us of her childhood, when the family would gather to gaze at the moon at midnight. She told us the legend of how the man (and his tree, as you can see the black spot [‘tree’] on it on this day) came to be there, up so high.
Tonight I shall gaze at that man in the moon and ask him a question or two. (Hopefully, I’ll find a mooncake to nibble and some cassia wine to sip.)
For now, here are a couple shots from the Lion Dances seen so far…
Happy Mid-Autumn Festival!
The troupe outside our language centre, with my little ones reaching out to touch their fluffy manes.
Taken from my living room: Dancers perform for the kindy kids opposite.
September is great month for readers wanting the latest must-reads, as it’s when publishers often release hot new titles. This year, some big names have come out with stories I, for one, can’t wait to read. Here are my top suggestions…
The author on the cover of TIME.
THE TESTAMENTS, by Margaret Atwood (Chatto and Windus)
Thanks to the TV series, this sequel to The Handmaid’s Tale is undoubtedly the most anticipated of the lot. The Booker-prize shortlisted sequel picks up 15 years after the 1985 original, with a change in narration.
As O, The Oprah Magazine’s Leigh Haber explains: “While The Handmaid’s Tale is told entirely from Offred’s point of view, its follow-up, The Testaments, has three different narrators, none of them Offred. We are back in Gilead again, where Aunt Lydia seems to have amassed even more power. By now, Lydia has a lot of dirt on the commanders, and she isn’t afraid to use it against them to put them in check or to get something she needs. Because she is a narrator, we get a certain insight into her motivations and thought processes—or so we think: she’s not a very reliable narrator, so be forewarned.”
OUT OF DARKNESS, SHINING LIGHT, by Petina Gappah (Scribner)
Zimbabwe’s most well-known contemporary writer has a new novel out, set in nineteenth-century Africa. It tells of the trek to carry Scottish explorer Dr David Livingstone’s body from Zambia to the coast, and it’s narrated by Halima, a young slave woman, and a former slave named Jacob.
Kirkus Reviewsdescribe the book as “a humane, riveting, epic novel that spotlights marginalised historical voices”.
Should be a goodie.
Praise for the novel…
THE WATER DANCER, by Ta-Nehisi Coates (One World)
Somewhat unsurprisingly, the first full-length novel from the journalist, author and comic-book writer who’s outspoken on the issue of reparations for slaveryis a story about slavery and how it tragically separated families. The fiction debut tells of Hiram Walker, a slave born on a Virginia plantation who becomes part of the underground movement to end slavery.
The author photographed for VANITY FAIR.
Publisher’s Weekly say that with this book, “In prose that sings and imagination that soars, Coates further cements himself as one of this generation’s most important writers, tackling one of America’s oldest and darkest periods with grace and inventiveness. This is bold, dazzling, and not to be missed”.
THE DUTCH HOUSE, by Ann Patchett (HarperCollins)
The award-winning novelist, essayist and bookstore owner made Time’s 2012 100 Most Influential People in the World list, and has featured on Oprah’s Super Soul Sunday.
Her publisher’s describe her new release as “a richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go”.
I love an intergenerational story featuring a house as a kind of character, and would buy this book for the enigmatic, artistic title-and-cover combo alone.
THE WORLD THAT WE KNEW, by Alice Hoffman (Simon & Schuster)
Here’s praise from fellow author Elizabeth Strout, Pulitzer Prize-winning author of Olive Kitteridge: “Oh, what a book this is! Hoffman’s exploration of the world of good and evil, and the constant contest between them, is unflinching; and the humanity she brings to us—it is a glorious experience. The book builds and builds, as she weaves together, seamlessly, the stories of people in the most desperate of circumstances—and then it delivers with a tremendous punch. It opens up the world, the universe, in a way that it absolutely unique. By the end you may be weeping.”
AKIN, by Emma Donoghue (Little Brown)
The Irish-Canadian author of the brilliantly executed Room, which was made into a film starring Brie Larson, is finally releasing a new book, which is about a retired New York professor and his great-nephew who go to the French Riviera to unearth the wartime secrets of the professor’s mother.
The London Free Press says: “Donoghue fans won’t be disappointed as the author of 2010’s best-selling chronicle, Room, pens another page-turner. In Akin, kinship itself, in all its intriguing possibilities, is viewed through the forced pairing of an 80-year-old widower and his 11-year-old grand-nephew and through the fraught events of a week-long trip to the south of France … Although Donoghue’s lively tale has many attractions, its most appealing is the repartee between uncle and nephew, crisp, peevish exchanges which underscore the gulfs which exist between generations, gulfs which cannot be bridged easily. Michael is technologically savvy, while Noah is a novice. Noah constantly corrects Michael’s grammar, but the boy, who addresses his uncle as ‘dude,’ refuses to rise to the bait”.
AN ORCHESTRA OF MINORITIES, by Chigozie Obioma (Hachette, Little Brown)
This one’s actually been out a few months, but it’s been shortlisted for the 2019 Booker Prize, which will be awarded on the 14th of October, so there’s still a lot of buzz about it.
It’s a love story; a kind of retelling of Homer’s Odyssey that’s set between Nigeria and Cyprus and is partly based on a true story. What sounds fascinating is that the story’s told from the perspective of a person’s animating life-force – referred to as “chi” in Igbo cosmology.
What inspired the story? The scam artists who lure desperate African students to universities in Cyprus, taking their money, with unmet promises of entry into Europe.
“The impetus to write the novel came out of what happened to Obioma’s friend, Jay, a Nigerian man he met in the first days of starting college. Jay had been duped by the middle men both into thinking the university in Cyprus would be a springboard into Europe, and that his degree would enable him to make lots of money. Instead, he confronted the reality that not only had most of the funds he’d handed over to fixers been embezzled, but that he was now stuck in northern Cyprus, where there were no jobs and where his status as a Nigerian immigrant made him widely despised. After a heavy bout of drinking, Jay was found dead at the bottom of a lift shaft, where he was assumed to have fallen accidentally.”
“The impulse to write in the first instance may come from a place of optimism – Obioma says that he was partly motivated by a desire to salvage Jay’s death from meaninglessness – but the bottom line remains that, whether one construes the larger forces to be spiritual or political, Jay, and so many other victims of seemingly random deaths, “didn’t do anything to deserve that fate” [Obioma’s words]. Illuminating that fact honours the author’s friend as it powers his fiction.”
INLAND, by Téa Obreht (Orion)
This author’s debut, The Tiger’s Wife − about folklore, family and feuds in a story that mythologised Yugoslavia’s history − dazzled me back when it won the Orange Prize back in 2011, when the Serbian-American writer was but 25.
She’s finally released this new offering; an American Western set in 1893 that the blurb describes as follows:
Nora is an unflinching frontierswoman awaiting the return of the men in her life – her husband who has gone in search of water for the parched household, and her elder sons who have vanished after an explosive argument.
Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home, and her husband’s seventeen-year-old cousin, who communes with spirits.
Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West.
Check out a funny response from Washington Post book critic Ron Charles, here.
Do you have any new book releases to recommend? What have I left off?
Do let me know…
The cover of Fire Road, the memoir by Phan Thị Kim Phúc.
When I was getting ready to move to Vietnam, I did what I try to do before going to a new country: Research through books, series and films. With Vietnam, though, most material is (understandably) usually about the Vietnam War.
On 8 June 1972, Kim and her community got caught in the crossfire between North Vietnamese and South Vietnamese soldiers when an aerial napalm attack on suspected Viet Cong hiding places forced them to flee their village, Trang Bang, along the strategic Route 1 she refers to as Fire Road.
At nine years old, Kim was pictured running down the road, screaming, with third-degree burns over her body in a photo that some say had a major role in ending the Vietnam War. Nick Ut, who took her to the hospital later, won a Pulitzer for the shot that became part of photojournalism history.
THAT image, taken by AP photographer Nick Ut, which won a Pulitzer Prize.
Kim was thought dead. But she survived, and spent 14 months in intensive recovery from the third-degree burns. Here’s the book’s blurb:
Get out! Run! We must leave this place! They are going to destroy this whole place! Go, children, run first! Go now!
These were the final shouts nine year-old Kim Phuc heard before her world dissolved into flames − before napalm bombs fell from the sky, burning away her clothing and searing deep into her skin. It’s a moment forever captured, an iconic image that has come to define the horror and violence of the Vietnam War. Kim was left for dead in a morgue; no one expected her to survive the attack. Napalm meant fire, and fire meant death.
Against all odds, Kim lived − but her journey toward healing was only beginning. When the napalm bombs dropped, everything Kim knew and relied on exploded along with them: her home, her country’s freedom, her childhood innocence and happiness. The coming years would be marked by excruciating treatments for her burns and unrelenting physical pain throughout her body, which were constant reminders of that terrible day. Kim survived the pain of her body ablaze, but how could she possibly survive the pain of her devastated soul?
Fire Road is the true story of how she found the answer in a God who suffered Himself; a Savior who truly understood and cared about the depths of her pain. Fire Road is a story of horror and hope, a harrowing tale of a life changed in an instant − and the power and resilience that can only be found in the power of God’s mercy and love.
From the get-go, given the subtitle and her many references to God and Jesus Christ, it’s clear the book will be about faith. And, really, given what this woman has had to live through and with, it’s no wonder.
How can you watch your family members and community die, survive being horrifically burnt, become the ultimate anti-war ‘poster child’, a puppet in your country’s propaganda machine, live with constant physical pain and NOT turn to faith?
This is not to say Kim wasn’t raised religiously to begin with. For me, some of the most fascinating early parts of the book were all about the CaoDai beliefs and rituals of her childhood.
In a feature for Christianity Today in which Kim tells of her coming to the Christian faith, she explains:
“Cao Dai is universalist in nature. According to a description on CaoDai.org, it recognises all religions as having ‘one same divine origin, which is God, or Allah, or the Tao, or the Nothingness,’ or pretty much any other deity you could imagine. ‘You are god, and god is you’ − we had this mantra ingrained in us. We were equal-opportunity worshipers, giving every god a shot.
Looking back, I see my family’s religion as something of a charm bracelet slung around my wrist, each dangling bauble representing yet another possibility of divine assistance. When troubles came along − and every day, it seemed, they did −I was encouraged to rub those charms in hopes that help would arrive.
For years, I prayed to the gods of Cao Dai for healing and peace. But as one prayer after another went unanswered, it became clear that either they were non-existent or they did not care to lend a hand.”
I also enjoyed Kim’s recounting of her mother’s infamous noodle shop, which the state eventually took over. I think of this aspect of her family’s past often here in Vietnam, when I see little girls helping their moms at its many street stalls and home ‘restaurants’.
An excerpt from the book, mentioning Kim’s mother’s noodle shop.
The book also spent some time revealing aspects of Kim’s story that many may not be aware of. (I certainly wasn’t.)
For instance, I didn’t know…
…that it wasn’t the Americans who dropped the bomb that burned Kim. Apparently, it was dropped “by a South Vietnamese Air Force pilot flying a propeller-driven, American-made A-1 Skyraider. The attack was an attempt to roust North Vietnamese units from positions near Trang Bang. The forces engaged there in early June 1972 were all Vietnamese.”
… about the effect of napalm on the body. The ‘sticky fire’ adheres to skin like tar, making it hard for doctors to treat wounds. Trying to wipe it off only causes it to spread; and only smothering it (excruciating pain) removes it. It continues to burn the body if exposed to oxygen, too. Horrific.
“Napalm can generate temperatures of 1,500 to 2,200 degrees Fahrenheit. Water boils at 212 degrees Fahrenheit. Phúc, having sustained third-degree burns to half her body, was not expected to live.” http://www.earth.com
Kim had to undergo many operations after the attack, and was still undergoing treatments in her 50s. So that day caused her physical suffering that lasted her whole life.
…that Kim then became a keg in the country’s propaganda machine, having to attend frequent conferences and media briefings to say what she was told to say. All this time away from her studies (and life) squashed Kim’s dreams of becoming a doctor.
The many synchronicities in Kim’s story gave me goosebumps, and hats off to her for making so many friends (and meeting important people) along the way. I admired the guts it took for her to defect and make a new life in a colder clime.
Above all, the book makes you think about what’s needed for healing from trauma and tragedy, both literally and figuratively. It’s about the power of faith − for overcoming debilitating emotions, like fear and rage; for forgiveness (“love your enemy”, as the Bible says); and even for bringing a family together again.
Kim holding her first-born son when he was an infant. Motherhood gave her healing.
Today, Kim is a UNESCO Goodwill Ambassador and she has a foundation to help other children of war. Her story is a generous gift she has given the world. It is a truly inspiring one of resilience, forgiveness, gratitude and grace. I’ll end with Kim’s words:
“We are all walking one fire road or another, be it paved by relational upheaval or financial upheaval, physical or emotional or the general inconveniences of life,” Kim says. “But when you and I come along with a posture of peace, or with gentle and kind words, or with an offer of prayer or a hug, or with anything that looks and acts like Jesus, it is as if we have used a fire extinguisher − the flames that burned hot settle down.”
To hear Kim speak about the book, watch this clip from Tyndale House Publishers.
When it comes to the Vietnam War, Kim’s story is part of the popular imagination. The haunting image of her running away, naked and burnt, was made into a sculpture by the French-Algerian artist Adel Abdessemed.
I was walking past the pet shop on the way home from school, when I saw a toddler trying to get my attention. The snotty little boy was holding a bottle, pointing; his adorable brown eyes eager for me to see what he was clearly so enjoying seeing.
I followed his gaze to the birds and the fish, and started ‘talking’ to him. Noting his grandfather’s approving smile from the shop next door prompted me to take the boy’s lead. Of course, he spoke no English (and, at his age, likely barely any Thai). But he clearly wanted to communicate about the colours and movements surrounding him. Bless.
We walked the shop, and I got down to his level to ‘ohh‘ and ‘ahh‘, and point out this fish, that fish. We were babbling away, sharing the uplifting feelings that animal encounters can bring. I love how, as a toddler, all sounds are new to him. It doesn’t matter that I am English. He knows no difference yet. He is too young to laugh at me, or exclaim ‘farang!’ [foreigner] to get his family’s approval.
When it was time to go, I waved and said goodbye. His grandfather was now outside the shop entrance, smiling from where he’d been watching us. (Don’t say I don’t do my part to try improve community-foreigner relations, he he.)
Truth is, I’ve had so many moments like this on the walk home. No matter my mood or energy level, there’ll be some encounter with a Thai child that buoys my spirits. I wonder whether I should be teaching toddlers, instead of high school kids? I also wonder whether the early experience of being one of twins, using the crytophasia ‘non-speak’ secret language that twin toddlers use, has helped me access that age, in which sounds can mean so many things, as they’re not yet defined by one language group’s rules and codes…
Anyway, thanks, kid. You won’t remember it, but I certainly will 🙂
After I took this pic at a dress shop at Lonely Beach, Koh Chang, I did something I never do – asked if I could touch him.
I’d been admiring an olive-green slinky number for a couple days, and was about to ask “Tao rai?” [How much?], when I saw this comfy beaut. Normally, I go ahead and touch the goods. But something told me to get permission first…
Good thing I did.
The owner said: “No, he bite. People say, ‘Oh, I have many cats.’ He don’ care. He bite evelyone.”
“Do you ever get to a city and immediately think, I want to live here?”
This question, along with “Do you ever get to a city and instantly hate it?”, is frequently posted in some of the travel groups I’m part of on Facebook.
Big girl + little girl = captivating scene near the Tha Pae Gate, on Chiang Mai’s moat.
In the case of Chiang Mai, it was the former for me. I could say it began the moment I stepped off the overnight bus, when I saw I had two lovely Tinder matches, while deciding how to head where next. This is no big deal for some, but for me teaching in rural Thailand for three months, the Tinder pickings have been slim.
The feeling certainly grew as we took our Grab taxi to the old town, and I spotted so many cute cafes, and more men – and trees! (Isaan is the dry part of Thailand so I have been longing for greenery).
But to be honest, I was primed for this ‘love at first sight’.
A close friend spoke highly of it, saying his fancy-sounding Italian mamma talked dreamily of retiring there. And it’s a hot spot among the global #DigitalNomad community, of which I hope to be part of (someday soon?).
Anyway. It didn’t disappoint.
Apart from my self-confessed bias, several of the other foreign English teachers who came to Thailand with the same agency as me had the same feeling. Unlike Bangkok or Pattaya, which can turn some (including me) right off, Chiang Mai is a heart-stealer of note.
Here are some pics I took while walking around, all starry-eyed and full of that hope-filled energy only a truly promising strong first attraction delivers.
(I’ll be posting more on what I’ve gleaned on the city’s #DigitalNomad scene, and what to do there if you’re just passing through, soon.)
Asian Art Deco: A cute cafe (and English signage, rare in my Thai experience so far) on Ratchapakhinai Road in the Old City.
Tempting streetside seating at the Kad Klang Wiang foodie/shopping square in the Old City.
When it comes to tourist pics, this mango place is ripe for the picking 🙂
Glamour pusses take a break to post those all-important status updates 😉
John’s Place, beside the east side of the Old City’s moat. Go here for nice views of the NYE Lantern Festival goings on.
Ah, the temples you see, just walking around at night … peeping at monks going about their daily business.
Speaking of monks … they’re an everyday sight in Thailand, but I can’t get used to it. It was beautiful to be up early and hear their chants as they walked the streets on their morning rounds collecting alms. They do this every day, barefoot, no matter the weather. Read more at: http://www.thaibuddhist.com/monks-on-their-alms-round/
This little lane in the Wat Phan On temple provided brief respite from the crowds of the Sunday evening walking street market. I saw women circling the temple’s Golden Pagoda, carrying flowers; heard the bells being rung; saw delicious food; and bought colourful earrings here.
Cocktail, anyone? No, but I do WANT THIS DISCO CAMPERVAN REAL BAD!
Hello Kitty wall art on one of the little lanes I liked.
Lush hanging garden that fills me with a good kind of envy…
A welcoming entrance to one of the many massage parlours in the city.
I’ve been teaching English in Thailand for two months now, and it’s been three months since I left my friends, life and (dis)comfort zone in Cape Town.
It feels far longer.
I’d never been to Asia before, and when you do full-on cultural immersion − when nearly every sight, sound, smell and taste is fresh (well, not literally − some are anything but…), and you can almost physically feel your perceptions shift around every street corner − even 15 minutes of a day stretches into something memorable. Seeing the world through new eyes engages your full attention, which slows down time.
I see a lot of adorable Thai toddlers here; they make my insides gooey. They’ve also made me reflect on cognitive learning … on how the familiar becomes familiar so early; on the joy and wonder of experiencing things for the first time.
But newness isn’t always easy. Especially when you’re 40, and frequently fearful.
Back home, I’m often the youngest among friends; unmarried, childless, still “a maiden” in many ways. Not here, among teenage students and other foreign English teachers so fresh out of school, they may as well be taking a gap year. And while home (Cape Town) can be a playground for skateboarding Peter Pans and festival-hopping party girls to say things like “age is just a number,” being a middle-aged (!!!) teacher among twenty-somethings in a conservative, small SoutheastAsian town means you’re forced to confront your chronological age – or, at least, traditional (and possibly small-minded) perceptions on it almost daily.
But I digress. Back to the many gains of this adventure: So far, the biggest immediate gain has been the sensory stimulation. I see so many intriguing sights just sitting on my veranda here in Nongbuadaeng, in rural NorthEast Thailand. Then there are the festivals and markets and celebrations and rituals. And there have been many buses and budget hotels and markets and minibus trips to other Northern places in-between.
I sometimes wish I we were living in the imagined future, so I could do a quick download of all the daily images and impressions. I’m constantly thinking: I must write this down. I must save this picture. I must remember…
Then, there’s what this place is doing to my long-heavy heart.
The main reason I chose to try out ESL teaching here, over more lucrative places, was because of “the people” everyone raved about. While I’m wary of romanticising “the land of smiles”, I’ve been touched by so many everyday human interactions and treated very well by students, colleagues and town folk. Living so openly within a community (rather than behind high suburban walls, as we are in South Africa) makes you feel part of it, even if you’re just a foreign guest.
Last week, at a temple in Chiang Mai (where some of us teachers went for New Year), I said a prayer of gratitude for all the moments of grace and kindness I’ve been blessed to experience in the last two months – the sweet laughter in class, the generous warmth from the women of Nongbuadaeng, the nourishment of the delicious food. Thanks to my time in Thailand, something inside me must surely be shifting – how can it not?
Below, some notes on some of the things I miss, and some of the things I’m grateful for.
(More blog posts on teaching and living here to follow!)
WHAT I MISS
Proper conversations with friends. I love nothing better than a good, deep and detailed natter with people who know me. Language barriers reduce conversations to the bare basics here. And getting to know new people, from vastly different backgrounds, takes time and is not without its own challenges.
My car. I asked for a walkable town and I’m glad for it, but a lot of the local sites are only reachable with wheels − and I’m having scooter issues. With my driving phobia history, knowing two young men who died on scooters, and not having insurance to cover scooter accidents, I wasn’t going to hire one. But the three younger English teachers I’m with did and I didn’t want to miss out on outings or be the ‘granny of the group’. (Too late!) I’m still too poep-scared (as we say in South Africa) to ride the damn thing further than our block. But I haven’t given up on slaying the beast just yet … I miss the freedom of being able to go greater distances than my feet will take me.
Nice toilets and showers. Cape Town’s drought toughened me up a little, so I’m used to no baths and treating showers as cleaning necessities rather than languid luxuries. Here, you have to confront non-Western toilets (and ‘the bum gun’), carry toilet paper (which can’t be flushed and must be placed in the waste basket), and showers are those soft-flow hand-held jobbies hung upon the wall. *Sigh* #FirstWorldProblems
Proper cutlery (and such things). No, this isn’t because we’re eating with chopsticks. We aren’t. In Thailand, you eat with a fork (left hand) and spoon (right hand). You use the fork to push food onto the spoon, then spoon the rice into your mouth. (I’m still figuring out if it’s the same for noodle dishes). The cutlery is of a thin metal, the kind you may take camping, so I miss the feel of a heavy knife and fork in hand. Ditto for plates and glasses. At café’s here, it’s all plastic plates and cups. I wasn’t able to find any ceramic plates at the shops for my flat, either. On the plus side, everything has that impermanent/festival/camping feel, which is fun. And there’s less to break.
Some food items, like proper coffee, cheese, salt and pepper. Even though coffee is grown here, Thailand isn’t a place (like Greece) where you’ll easily find a good coffee. At the cheap hotels we’ve stayed at, it’s strong and powdery. In the shops, you’ll find instant varieties pre-mixed with milk powder, sugar and even ‘weight-loss’ or ‘skin-tightening’ ingredients. It took me a few weeks to find ground coffee, but I’m still on the hunt for a bodem (using a tea strainer until then). At restaurants and cafes, there’s sugar, chilli and soy sauce on the table. Funny how you quickly miss everyday rituals, like cracking salt and pepper onto your meal before starting.
Friendly pets. In Chiang Mai, I asked a #DigitalNomad I’d just met if there was any downside to living in Thailand. “As you’ve probably seen, it’s the attitude towards animals,” she said. It’s true. The many street dogs here are full of mange and on their own mission. The outnumbered cats are skittish and still elusive. As a pet-sitter and animal-lover, I miss animal affection.
A body of water to swim in. In the North, we don’t have the beaches Southern Thailand is known for. While Cape Town’s cold Atlantic sea is hardly inviting, you always know it’s there. When it’s hot here, I crave a body of water to swim in. But the local reservoir is not for swimming, and the nearest pool requires a scooter ride to get to (and is not exactly clean). It’s not surprising that most of the kids here can’t swim. (Again, #FirstWorldProblems).
Articulation skills and the ability to read environment. There’s lots to be said here, in a longer post. But just imagine, for a minute, not being able to read street signs, menus, receipts, SMS messages from your bank or phone provider. I’m used to being literate, and feel pretty ‘lost’ in my surroundings at some point in every day.
WHAT I’M GRATEFUL FOR
Living in a walkable town. During the placement process, the agency asked us for our preferences, and this was one of mine (together with WiFi and a verandah or outside space at home). I’m loving walking through the food market each day, and strolling to the 7/11 at night – pretty much a no-no back in South Africa, as it’s too dangerous to walk alone at night.
The agency support.I’m told I can earn more through a direct placement and wasn’t too sure about my agency before getting here (I had all kinds of suspicions). But they offer a curriculum, telephone support 24/7 (even for things like translating a Thai text or speaking to a Thai person to organise transport etc.), and the visa support has been a relief.
That I’m not a vegetarian or vegan, yet. (Sorry!) Contrary to what many expect, Thai cuisine isn’t that vegetarian friendly. And ordering veg-only is just another communication complication. I’ve seen the lengthy process of someone trying to explain that no meat should be in the fried rice be served pork fried rice, only to get non-veg food served to them, and have to suck it up and eat plain white rice and sliced cucumber … there seems to be fish sauce, chicken, pork broth or egg in most dishes.
That I was able to buy a new phone. My one had a cracked screen and kept running out of space, even with a new SD card, but new phones were just too expensive to buy back home. I picked up a new Samsung Galaxy J4+ for less than 5000 Baht ($156; R2230) at the Big C in Bangkok, and it’s been essential for life here (with its need to Google translate, use local banking/taxi apps and Google maps).
That I’ve had some teaching experience.While it was part time and at an English creative college, rather than full time at a Thai high school, it made it easier for introverted me to stand in front of many sets of eyes and do all the prep necessary to feel prepared for 50-minute classes.
Feeling part of a community. Note I say feeling over being. We are farangs(foreigners) and get called so daily. We’re just passing through for a season. But after five years of freelancing alone at home, with no family of my own nearby, being a respected member of a community, living close with our neighbours, attending local events and just being part of the daily flow of life has been so good for me on so many levels.
So after that long post, is there anything you want to know about my Thai teaching adventure? Let me know in the comments and I’ll get back to you here…